miscellanium: b&w photo of lawrence dane editing the 1977 film rituals (dane | and when we're middle-aged)

something about this makes me think of, like, paintings depicting the christian annunciation

the "is this worth watching for lawrence dane" rating: 3/5

the plot is pretty straightforward: he plays a lawyer for a mobster that the group are trying to take down and the group decides to exploit the lawyer's resentful wife as a weak link by forcing her into rehab and impersonating her.

there's no cold war wackiness in this one (meaning the obligatory xenophobia is also lacking, though there is one very strange racist exchange during one of the therapy scenes) but there's plenty of other absurdities that make this fun to watch - magical rubber masks, for example, and truly bizarre cutting-edge 1970s "group therapy" sessions - and the main actress, elizabeth ashley, who you might recognize from her later role in the nic cage feature vampire's kiss, gives us just the right amount of melodrama called for by the premise. honestly she carries this episode by playing dane's alcoholic wife - dane does a solid job, and his approach to method acting really shows in some places, but he's a bit hamstrung by the vague accent he's putting on. generic "american tough guy", i think, and it's not usually distracting but there's a couple scenes where it doesn't do his delivery any favors. shame, because dane really has what it takes to play sympathetic bad guys/antagonists. so this doesn't rate as highly as his
commandante episode but he gets to do much more here than just looking cute in the survivors, and the stuff with ashley's character is compelling enough to make sitting through the other dane-less scenes worth it. unfortunately (or fortunately) dane isn't in any of the therapy scenes.

it probably is worth warning for domestic violence, however - there's one scene where he slaps her without any warning and both of them do a great job with it but that might make it harder to watch for some. and then she's forcibly manhandled by a few different people, sometimes for restraint or forced institutionalization and sometimes as part of the really strange therapy sessions lol, and there's a scene or two where she throws and breaks things.

yeah yeah i called dane's character sympathetic but he's a wifebeater, cancel me, etc. my policy is generally "if someone lays hands on you irl then leave them asap" but in fiction it can be a little different. what i mean is that you can see the conflict in his eyes and dane sells him as someone who was a good husband, once, but the narrative has decided he's irredeemable. this makes the ending more upsetting to me than i think they intended, honestly, because yeah he dies (not really a spoiler with his track record let's be real) and she has no idea, she's just being forced back into rehab when he gets murdered and the mission impossible crew doesn't seem to really be thinking about her psychological welfare at all. what kind of support is she going to have when she gets out? could he have been a good husband again, if they'd been able to escape the mob he'd gotten involved with? we're not asked to consider that at all but i really feel as though dane plays him as though he had the potential. how much of that is his performance and how much is me just being biased because it's dane, idk, but it makes the story of this more interesting than a lot of mission impossible episodes (imo).


highlight: going through these caps made me realize he has a scar on the right side of his upper lip, almost like my oc....

i'm not positive whether it's REALLY good makeup or an actual scar - it's hard to tell if he had it in the 1967 episode since that one's pretty dark. a damn shame the film quality for rituals is what it is because i could compare some of those lovely closeups.... i didn't adjust the color/light on this or any of the following screencaps btw


'she's muh WAHFE' and he's my wife. mwah )




if i had to rank his three mission impossible episodes in terms of rewatchability, i think it'd go commandante, the survivors, then this one. not because his performance is lesser (in the survivors he's mostly standing around being adorable lol) but because it's a little hard to watch just for fun. granted, the imperialist gaslighting in commandante is also a boner kill, but he's having so much fun with the role it's easier to ignore the upsetting aspects of that episode. that said, if you chose to watch only two i'd insist you skip the survivors and watch this one along with commandante. you get to see him do way more here and regardless of whether you think he does a good job or not the rest of the episode is quite the experience.


bonus:
his height makes this car look like a clown car LMAO


miscellanium: b&w photo of lawrence dane editing the 1977 film rituals (dane | and when we're middle-aged)

if i could buy this photo it would go up on the wall with all my others so fucking fast

the "is it worth watching this for lawrence dane" rating: 3.5/5


yeah, it's mission impossible again, but dane plays the main antagonist this episode and he plays it well. this is right around the time he started really maturing as an actor and it shows; it's more than five years before he filmed rituals, so it's still not quite the best he could be but there's a world of difference between this and his performances in the virginian that would have been broadcast just a year prior.

the plot: the gang are tasked with sabotaging an anti-american communist movement in south america. lol. dane plays one of the leaders of this movement and he plays the role with great panache.

i don't formally subscribe to the auteur theory of filmmaking since i feel like it diminishes the amount of collaborative effort that goes into film/television, but actors like dane go a long way in demonstrating the importance of a decent director. i touched on this in my post about
dead on target - with a good director, he's absolutely phenomenal. with a crap director, it depends on the source material and/or his chemistry with the other actors. (so, for example, in the clown murders, he does well even though it was released the same year as his unfortunate turn in dead on target. the script of the former is pretty lackluster but he gives it a solid performance. is it because of the more serious source material, a pedestrian-yet-decent director, or something else? food for thought.) i think this is also when we see him finally internalize how to use small details to develop a character and act with his face/eyes versus acting with his whole body as though he were still on a stage. much as william shatner is a douchebag, i think people are a little too hard on him for his acting in star trek: tos - if he had acted like that on a stage at the time he would have been fine. the problem is that the television camera can get a lot closer than a theater audience, lol, so more nuanced performances are ideal for filmed productions.

the content of the episode itself is what lowers the rating; there is SO MUCH dane it'd merit at least a 4 (my heart and loins want to say a 5) but the rest of the episode is more cold war bullshit and boys dicking around with their toys, of course, made weirder by them putting leonard nimoy in yellowface. so on the one hand it's interesting since they've got two people who would be viewed as ethnic minorities by their dominant cultures playing different, more widely-demonized minorities (at the time anyway) in the same room, but on the other, man. yeesh. geez. all they really did to nimoy was make him squint and give him and dane different warmths of brown/grey to make him look more sallow and dane more ruddy in comparison, which is not as bad as it could have been, i guess, though it's still pretty fucking uncomfortable. at least neither of them is forced to ham up the accents - dane kinda tries to put on a vague latin-american accent but it's pretty half-assed and honestly i think that's for the best here, lol. i also love leonard nimoy so it's a little disappointing that this is the only episode where they share screen time.

mission impossible's handling of dane in general is a good illustration of how he was treated as ethnically ambiguous - he was considered "dark" enough to be pigeonholed into playing baddies, but if he made his hair straighter it was easier for people to believe he was "white enough" depending on the episode. (he was born to a lebanese family in quebec, and someone on imdb, discussing a 1975 movie where dane plays a character with an italian name,
wrote "Lawrence Dane is exceptional. He must be of Italian origins. Canada has a huge Italian population." and i find this very amusing.) this episode is one of the rare times we get to see his natural hair - we know he straightened it/used product to make it look less curly because in rituals it gets progressively curlier every time it's wet - and while he looks good no matter what i do think the wavy/curly hair is extra cute uwu

we get to see a lot of him in this episode and his body language is extremely sexy - swagger but in a way that feels comfortable, confident, not just posturing. he's in a well-fitted uniform and gets to play with a knife and has a lot of fun little details for the character. truly a pleasure to watch. the rest of the episode is okay. it's not as interesting as the one where the gang builds a fake submarine in a warehouse, alas, but there's enough dane (and nimoy!) content to get us through.



highlight: sir. sir. please. why did you put your hand there and shift your hips like that. sir. please



trying to pick screencaps that were actually useful or interesting and not just me being horny for him was so terribly difficult )


bonus: look at his goddamn body language in this otherwise entirely unremarkable establishing shot of him being driven back to base. as they say, king shit


 
miscellanium: still of lawrence dane as mitzi in rituals (1977) (rituals | put us back together again)
a 30yo man with short hair and a nice large nose looking off camera and smirking


the "is it worth watching this for lawrence dane" rating: 2/5

most of his role is just standing around and looking pretty, though he does do a damn good job of it. comparatively few lines of note and you can see that he's still refining his approach to acting. his turn in s06e07 is much better and more significant in terms of the script. still, the big bad (played by albert paulsen) is one of the better actors of the episode and enjoyable to watch as well so it's not too boring overall. put this one on for the occasional eye candy while you're folding laundry. at least he doesn't die in this one!

the plot: shrugs, your average cold war hijinks. some creative theatrics with the staging of a fake earthquake but honestly the episode with leonard nimoy in the fake submarine was more interesting to me in that regard. when i read this episode's description i was hoping dane's character was one of the scientists being kidnapped but alas he just plays one of the heavies. he's very talented at smirking sexily though so it's no wonder people always wanted him for that.

At six-feet-two, with his sonorous voice, long, swarthy face, and dangerously hooded eyes, Dane seemed born to be a TV heavy. He played bad guys in 70 episodes of such series as Mod Squad, Mannix and Bonanza. “I didn’t mind at all,” he says. “If I’d been short and cherubic, I would have starved to death. There are only two major parts on any television show, the hero and the villain. The economics of the medium don’t allow for anything else.”

But by 1971 he had grown tired of being dispatched by every square-jawed television hero.

-- "The face is familiar but you can't place the name? It's Dane, Larry Dane" by Ron Base for Macleans magazine, 1976



highlight:
HE'S TOO FUCKING TALL FOR THE STOOL LOOK AT HIS LEGSSSSSSSSS
lawrence dane having to basically fold his legs under himself in order to sit at a table that



lotta good noses in this episode )
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